mrdreamjeans | Recent Entries

Week before last was something else! It began with my friend Casey in Houston's birthday. She was turning 75 and both her son and daughter were in town for the occasion. It was the day Hurricane Beryl hit Houston and Casey lost power. I only spoke to her briefly. She's been in a hotel all week. To top off her week, her brother died Saturday. :(

Next up, I attended two days of performances from the GALA Festival of choruses in Minneapolis. I saw performances on Friday by the San Diego Womens Chorus, Dayton Gay Mens Chorus, the Out Loud Chorus (a county in Michigan), the Council Oaks Chorus and the Gay Mens Chorus of Los Angeles. I went out to dinner with a friend of 40 years, John Musselman, after the concerts.

On Saturday at noon, I attended concerts by the Austin Gay Mens Chorus (terrific sound!), the Rochester NY Chorus, Palm Springs Chorus, a mixed chorus from Detroit and a chorus from Oklahoma City. I sat with a friend from Palm Springs as his partner sang in their chorus. I missed the Cincinnati Womens Chorus as I was visiting with friends from Hartford and local friends in the lobby. The first day the concerts were at Orchestra Hall, the second day in the Minneapolis Convention Center's Concert Hall. Many of the choruses featured really talented singers and it was a pleasure to attend!

On Saturday evening, Steve Backoff and I met at the Xcel Center to see Chicago and Earth, Wind and Fire. The arena was packed and the bands were in great shape!

On Sunday afternoon, my friends Jason and David had a wedding party. They got married at home on May 26th. The party was a gathering that all of their friends could attend! I saw many people from the Twin Cities Country dance group I haven't seen in a long time! It's how the guys met and how I met them in 2009. Jason and David have been together for over 20 years. I also met the fiances of two other friends at this celebration! I've two weddings to attend, one in September, one in October!

Oh, my niece and her husband were in Las Vegas for their 10th anniversary that weekend. They renewed their vows on Friday with an Elvis impersonator! LOL! It was quite funny! Cait's 3rd baby is due December 20th.

In addition I have applied to a different tax credit property in New Brighton, MN for a 2 bedroom-2 bath property. I've been jumping through hoops to get the paperwork submitted. When approved, I'll be moving again!

I head to Durham, NC on Thursday this week. My seven year old great nephew is playing in a National Golf tournament. Kids' golf is becoming more and more of a big deal. I'll be staying with Dan Overby and his partner for the weekend and then joining family on Sunday evening. I hope the weather isn't too hot and humid!

In nine days, I will be celebrating a milestone birthday. I've been thinking a lot about how to celebrate turning 70 for about a year! I decided the best way to celebrate would be another trip to Europe.

On March 13th, I will fly from Minneapolis to Amsterdam and then on to Budapest, Hungary. After a couple of days there, I'll take a train to Vienna. Two days in Vienna and back on the train to Nurmberg, Germany, on to Berlin, then Dresden followed by Munich (where I spend my birthday), a night in the mountains and then I spend the final three days in Florence, Italy. In Florence, I'll be staying at the same hotel I did in November 2022, one I liked very much.

I'm traveling solo; I've done it before and can do it again. My sister is traveling in Australia and New Zealand right now with her best friend and she's the one I usually celebrate birthdays with, so I'm headed off in a different direction. I've booked three excursions: an on-and-off bus excursion in Budapest, a tour of The Castle Nieuschwanstein the day after my birthday, and a tour of a museum in Florence. I'll fly home from Florence, again via Amsterdam.

The tickets and hotels have all been paid. I'm flying Delta and trains are through a company called Railbookers.

I'll be back on March 28th, so two weeks in Europe for my 70th birthday!

Current Mood: happy

I've just noticed I haven't written anything here since the day I moved out of Wyndris to my cottage in White Bear Lake. I am enjoying the quiet of my new location ... no motorcycles, few ambulances ... just the sound of the wind and birds here ... which is what I had hoped for.

I am missing having a microwave and dishwasher; but, if it bothers me enough I can purchase one or the other ... or both.

I've got a concert this weekend to attend at Orchestra Hall ... Audra McDonald ... on Nov 19th, I see Patti Lupone in concert at The Ordway with my friend Jon Hayenga! Thanksgiving I will be spending with friends, our annual potluck! Should be fun!

Weather turned very cold a week ago and we had snow on Halloween Eve and day. Not much, but the freezing temps have kept the snow around this week.

I hope everyone is well, happy and healthy.

The Guthrie Theater has once again produced a fantastic Summer musical. I attended a Thursday preview just prior to opening night and was delighted by the show! Once again kudos to the designers for the atmospheric sets and evocative costumes, for the critically important lighting and sound.

When other venues in the city are bringing in non-union tours, The Guthrie continues to present shows with casts that are union and often local. It’s always good to give hometown actors employment and benefits! With “Into the Woods”, several local actors portrayed prominent roles.

The Twin Cities’ excellent actors included: Sasha Andreev as The Wolf and Rapunzel’s Prince; Cat Brandisi as Florinda; Kym Chambers Otto as Cinderella’s stepmother; Anna Hashizume as Cinderella’s Mother and Rapunzel; the delightful Suzie Juul as Little Red Riding Hood, Kim Kivens as Jack’s Mother and Granny; Max Wojtanowicz as Cinderella’s Father and The Steward and Regina Marie Williams as the Narrator/Mysterious Man. All provided detailed, in-depth, often comic, performances.

Madeline Trumble as the Baker’s Wife sang beautifully and played well against Robert Knight’s Baker. They made a very believable couple. Trevor James as Jack was nimbly youthful; his allegedly dim actions drive much of the narrative of this mash-up of fairy tale stories. John Yi as Milky White/Cinderella’s Prince was a hoot as Jack’s cow, switching effortlessly to Cinderella’s stalwart Prince. Emily Tyra made a lovely Cinderella with a conscience and Lisa Howard was a powerful, at times frightening, Witch!

I highly recommend this riveting version of “Into the Woods”. I am often disappointed by singing voices, but not with this company of actors! They are all excellent singing actors. If you have the opportunity, please go see this inspired telling of this Stephen Sondheim/ James Lapine musical, stage directed by Sarna Lapine, choreographed by Alison Soloman and musically directed by Denise Prosek! Go! Enjoy!

Ten years ago, on this date I left my next-to-last full-time non-theater job as leasing manager at Huntington Place Apartments in Brooklyn Park, Minnesota.

Four years ago today, I closed on the sale of my house in the Victory Memorial neighborhood of N. Minneapolis (after I moved to this building).

Today, I gave notice to move out of Wyndris, the 62+ building where I've lived for four+ years and worked part-time as Concierge for three+ years. In these four years, I've lived in apartments 312, 514 and 510. I will be moving by July 1st.

Enthusiastically embracing change has always been a part of my belief system and the month of May has been the month most of my decisions have been made. Over the past six weeks, I have been enduring a complicated application process to move to a Tax Credit (Section 42) property located in White Bear Township, a suburban area North of St Paul. The property is three miles from the charming downtown of White Bear Lake, MN.

I've jumped through more hoops than you can imagine; 30 minutes ago, I was notified I was finally approved. Two minutes ago, I gave notice of my intention to leave my current residence. I will continue to work at my current building part time; I will continue to see my beloved neighbors.

I just couldn't pass up a larger living space for less money. The cost of housing is spiraling everywhere; so, I chose to make a change before it became financially problematic for me.

The property I am moving to is cottage style ... two bedrooms, one bath with an attached garage all on one level ... 1000 sq ft. It's like having a small house, enough room for Bella and me and for guests. It's not as plush or well-appointed as my current place, but It is nice, very quiet and much closer to where I receive medical care; the primary reason I stay in Minnesota is the quality healthcare in this state. Several members of my care team have been in my corner for more than a decade.

Now, the real planning begins ... My last moves have been internal. This time I am moving 16 miles away and it's going to take a lot more organizing and packing than at any point since I sold my house in 2019. And, by the way, the new property is owned and managed by the company whose employment I left 10 years ago today. Full Circle Change!

“Religion is man-made. Spirituality is a blessing.” This quote from Queer gender fluid singer/actor Billy Porter was just one of the pointed asides peppered throughout his concert last evening at The State Theater in Minneapolis. The powerful, rangy voice of Porter was put to good use as he entertained the audience for 2.5 hours, only leaving the stage to change one astonishing outfit for the next.

Billy’s “Black Mona Lisa Tour” has recently hit the road, traveling around the country where, ably backed by a five-piece band, he preaches a message of hope, inclusivity and authenticity to one’s self. Yes, he’s overtly political and profane, but his message is real, one everyone needs to hear!

The intensely charismatic Porter divided his performing life into segments. Song selections were divided by recorded clips projected on a huge screen above the onstage musicians. He sang material from his early albums in the 1990’s to cuts from his album to be released in September this year. Stylistically, he went from rock to Broadway to Gospel and club music. Porter was raised in the Pentecostal Church and it is imprinted on every choice he made.

My favorite moments were selections from Kinky Boots and “Home” from The Wiz, a Gospel approach to Kelly Clarkson’s hit “Stronger” and his closing song, the quietly beautiful “Authenticity”. His final encore, “I Will Survive” had the audience on its feet dancing!

There was one downside to the concert! The sound was so loud, the band overshadowed Billy Porter’s vocals, a seemingly impossible task. Unless, a fan was familiar with his material, you couldn’t understand a single lyric. I imagine Porter was confused by the audience response. We were on his side if we had understood what he was saying/singing! It was an older, enthusiastic audience eager for his message. No matter! It was a highly entertaining concert by the Black Mona Lisa!

Who knew an Agatha Christie murder mystery could be humorous? Not me! Last evening, I attended the final preview of The Guthrie Theater’s excellent production of “Murder on the Orient Express”. Prior to this performance, I’d only seen mediocre film versions of this material, so a much livelier stage adaptation was a delightful surprise!

Once again The Guthrie’s designers, shop, and crew amazed me! I didn’t think it was possible to create a set featuring a beautifully-painted prosceium and drops, where the motion of a moving train was believably realized, as well as an avalanche of snow, a key plot point. But, yes, the set design work by Rob Koharchik was impeccable. The interiors of the cabins, the dining room, all the locations on the train were rich in period details; set transitions were seamless. Costume design by Devon Painter was stunningly excecuted; wigs and makeup were first rate; lighting, projections and sound sublimely enhanced the tension and suspense of the play.

The ensemble cast of ten was outstanding! They were led by the central character - Christie’s famous detective Hercule Poirot! It took me a few minutes to erase the physical presence of David Suchet, the inimitable television Poirot, from mind; but the taller, less eccentric, dizzyingly delicious and offbeat take of Andrew May as Monsieur Poirot soon won over my allegiance.

Each actor created a fully realized character whose secrets built to a morally ambiguous conclusion. Was justice served in the end? It depends on the character you chose to believe.

Kudos to The Guthrie for using local Equity members whose talents have shone brightly on professional stages around the Twin Cities and beyond for years. China Brickey, Michelle Barber, Sally Wingert and Tyler Michaels King, your work was thoroughly enjoyable as always! I single you out as I am very familiar with your recent work in musicals. As I witnessed your performances on the final preview, I now realize I’ve only seen glimpses of your abundant talents.

Gavin Lawrence, Katie Bradley, Peter Christian Hansen, Jane Froiland and Robert Johansen ... What fine work you offered the audience!

I give credit to Ken Ludvig’s adaptation and to the fantastic direction of Raisa Brainin for how entertaining this production of “Murder on the Orient Express” is ... Ludvig for the comic spirit of his adaptation and Brainin for the unexpected farcial touch the actors brought to the material. Such an assured light approach to devilishly complex, ambiguously dark themes was quite welcome.

Full houses can be expected for The Guthrie Theater’s production of “Murder on the Orient Express”. I highly recommend taking in the show! How can you pass on a murder mystery by legendary author and playright Agatha Christie, featuring one of her most famous detective creations, splendidly realized by a first-rate cast? Ignore my rhetorical question! Without leaving town, you can savor a pleasurable two-hour visit to murder and mayhem on the Orient Express.

As a Puppy Mill survivor my Bella was shut down emotionally, was very fearful when I adopted her, understandably so. It took months, over a year really, before she began to show her personality. Like a person with autism, I’ve found mill dogs often avoid eye contact.

Two years after her rescue by NMDR and subsequent adoption, Bella has really come out of her shell, she’s even a bit feisty. She constantly demonstrates how devoted she is, doesn’t like my being out of her sight.

Tonight, there was a moment between us to cherish. Bella was sitting on my lap and I shifted to get more comfortable. Suddenly, she turned her head and locked eyes with me, inches from my face. I whispered, “Bella, do you know how much I love you?”

Bella held my gaze for a few seconds, slowly leaned in, then gently put her head (left ear) against my heart and held it there. I am grateful and humbled by our bond, by her recognition of the meaning of my question.

Perhaps, I’m making too much of this event, but it’s a first and I’m savoring it as a moment to remember.

On Wednesday, April 19th about 1pm in the afternoon, at the corner of 8th Ave NE and Main Street NE in Minneapolis, my neighbor Mary was driving home from an errand when four teens in a stolen, speeding Kia t-boned her Honda HRV with great force. Mary had to be extricated from her car and was taken to HCMC’s trauma unit with severe injuries. The four juveniles, all male, ran off.

Mary’s injuries include: a broken leg, a total of seven broken ribs, a broken left elbow, a broken right wrist and collapsed lungs. Mary was near death the first Friday as doctors and nurses at HCMC worked to reinflate her lungs.

To my community’s great relief, Mary survived and was transferred last Friday to Catholic Eldercare’s Transitional Care Unit where she will work to get well enough to come home to our 62+ Community across the street. She is beginning rehab today; it will be months of hard work for her to overcome the trauma of the accident.

The residents of our building were overjoyed to hear three of the four teens were arrested and in custody and the fourth is known to the police. The much-maligned Minneapolis police did excellent investigative work on the case; the teens were identified from fingerprints found in/ on the stolen Kia. The juveniles’ fingerprints were already in the system.

In recent weeks in our Northeast neighborhood, there have been several car-jackings, stolen vehicles and vandalism, the majority of it by teens. On one recent Tuesday, a teen boy and girl went up and down our block smashing car windows, “smash & grab” if you will. Is this a new form of “date night”? The teens escaped.

I was able to visit Mary yesterday for the first time only to hear disturbing news. The three juveniles who were arrested were released by Hennepin County Attorney Mary Moriarity; her office declined to prosecute the young men for the Kia theft!!! WTF?! Did Mary need to die before these teen terrorists were held accountable for their criminal actions? Do seniors' lives not matter as much as those of other generations?! It doesn't appear so.

It’s easy to see why the City of Minneapolis is not able to recruit high quaility police candidates, why the morale of our police force is low. In the case of my friend/ neighbor, the police did their job well, arrested the criminals only to have them released a day later due to a County Attorney who doesn’t believe juveniles should be held accountable for their actions!

Remember, these teens were arrested because their fingerprints were already in the system! Moriarity has awakened a demographic she seems to have ignored! Seniors vote. When we’re angry enough, we fight for our rights! Shame on a county attorney who isn’t doing her job. Crime in our area by juveniles is escalating, becoming increasingly vilolent. I vehemently believe it’s because these young criminals know there won’t be consequences! Please join me in my quest for Justice for Mary!!!

I've had a busy couple of weeks, but can't point out anything that is of consequence that was accomplished. I've worked a lot (for a retired person), taken care of Bella and shook my head in dismay at a string of crimes committed on our street this week; on Tuesday, a juvenile boy and girl drove up and down our street, and the avenue perpendicular to my building, smashing car windows. Date night? Yesterday, some car smashed into an SUV on the street with such force, it lifted the SUV off the ground and onto the hood of the sedan parked behind it. Much of the crime in Minneapolis is being committed by youn teens right now. Where are the parents?

Happy Easter or Passover wherever you are. I'm having Brunch with friends this mornin. Since I'm not reiigious, that's it for celebrating the holiday here. Otherwise, I'll be busy doing nothing.

Wouldn’t It Be Loverly if the banner The Lincoln Center Theater Production of Lerner and Lowe’s “My Fair Lady” had meant a union national tour of the Lerner & Lowe musical? I attended the Thursday evening performance of this classic at The Ordway, the final show in my Broadway@The Ordway subscription. “My Fair Lady” was in St Paul for only five days. The kindest adjective I can attribute to the tour is disappointing.

There was endless talent onstage, much of it in the ensemble; but, the tweaks made to the script to minimize the sexism of that time in England, the changed ending where Eliza stalks off the stage, the direction that made Jonathan Grunert’s well-sung Henry Higgins insufferable didn’t work for me. Accents were all over the place; the touring set was merely servicable; the sound was problematic, especially in Alfred P. Doolittle’s cynically celebratory “Get Me to the Church on Time”, careening from ear shatteringly loud to missed sound cues.

Madeline Powell gave us a well-acted feisty Eliza Doolittle. She has a lovely soprano voice, though her top notes felt pushed. Her transformation from Cockney flowerseller to elegant lady was quite believable. John Adkison’s Colonel Pickering was charming and stalwart. Jonathan Grunert’s Henry Higgins overplayed the character’s mysogyny; a mysogynist is a person who dislikes, despises, or is strongly prejudiced against women. As audience members, we must believe that Higgins has feelings for Eliza. Without this, the musical’s premise falls apart.

Publicity Photo: Jonathan Grunert (Higgins), Madeline Powell (Eliza) and John Adkison (Pickering)

Let me talk about performance highlights for a moment: The costumes by Catherine Zuber were exquisite. The performances by Nathan Haltiwanger as Freddy Eynsford-Hill and Becky Saunders as Mrs. Higgins were outstanding. The lush vocal work by members of the ensemble singing Lerner and Lowe’s iconic score was delightful; a shout-out to the “Loverly” quartet and servants for their harmony work. Also, compliments to Binder Casting. It was refreshing to see an ensemble of all ages, shapes, sizes and races present onstage!

I understand that it’s difficult to update classic shows where the practices of the time don’t jive with how we’ve evolved as a society. “My Fair Lady” is a period piece, set in another century. Tossing drag queens into a chorus number was jarring ... It remains difficult to listen to the lyrics of “We Did It” and “Why Can’t a Woman Be More Like A Man” without cringing.

Troika Entertainment is the producer of the “My Fair Lady” National Tour. Actors Equity Association provides many types of touring contracts, but Troika took this out non-union instead. Presenters, such as The Ordway, purchase the show as part of their season. Ticket prices remain the same for us, no matter the cost to the presenter. The actors make less money, as do musicians; but the local crew and dressers make union wages.The last time I saw “My Fair Lady” on tour Henry Higgins was played by Richard Chamberlin. The Ordway house was nearly full Thursday night. There is an audience for classic musicals. Wouldn’t it be loverly is we had gotten a “My Fair Lady” with star quality?

Current Mood: disappointed
Current Location: St Paul
Current Music: Wouldn't It Be Loverly?

When: Sunday, February 12, 2023
What: “A Soldier’s Play” National Tour
Where: The Fitzgerald Theater - St Paul, MN

Last evening was the third of six offerings in my season subscription to The Ordway Theater in St Paul. “A Soldier’s Play” was moved from The Ordway to the more intimate Fitzgerald Theatre a few blocks away for its run. This riveting WWII murder mystery written by Charles Fuller and directed by Kenny Leon, is set in 1944 at Fort Neal, Louisiana, where an all Black company of soldiers, commanded by white officers, is anxiously waiting for overseas assignment, desirous of being on the front lines.

In the first three minutes of the play an African-American NCO is murdered. The investigating officer, also African-American, builds his case despite the interference of white commanding officers.

The events of “A Soldier’s Play” take us on an intense journey of race-relations, racism and brutality, an unsettling tale of right and wrong with a dose of self-loathing. Do you overcome racism, by working within the system or move forward by challenging the status quo at every turn?

This revival of “A Soldier’s Play” was produced by the Roundabout Theatre Company in New York City, winning the Tony Award for Best Revival of a play in 2020. It’s highly unusual for stars to tour these days, but at the show’s center is Broadway star Norm Lewis as Captain Richard Davenport, a military lawyer. Lewis’ charismatic, powerful performance was a revelation. My previous knowledge of Lewis has been as a leading man in musicals. His performance in “A Soldier’s Play” shatters any pre-conceptions I held about him!

Everyone in the cast of 17 (with understudies) is excellent. Eugene Lee as Sergeant Vernon C Waters offers a heart-breaking portrait of the murdered man, presented in a series of flashbacks. The veteran actor’s tortured patriot is at the center of this mystery; every other character’s actions revolve around him, are examined to uncover the truth of his death.

I would be remiss not to mention Sheldon D. Brown as Private C. J. Memphis. Remember his name. He invests his pivitol character with a sweet, languid innocence that makes his tragic ending all the more painful to watch.

Sadly, up against the Super Bowl last night, only about half of the Fitzgerald’s seats were filled for the final performance of “A Soldier’s Play” in St Paul. I have no regrets choosing theater over football. I got to see art being created. The Super Bowl was held in Arizona. The Kansas City Chiefs were victorious ... or were they? It's Arizona where results are always challenged. HA!

If “A Soldier’s Play” is scheduled to play your city, don’t miss it! Its upcoming dates are in Philadelphia, Charlotte, Washington, DC and New Haven.

Where: Gremlin Theater - St Paul (Midway Neighborhood)

When: Friday, February 3, 2023
What: RENT
Presented By: Theatre 55

Mission Statement: Theatre 55 was created in 2018 to fill a need in the Twin Cities and throughout Minnesota: theatre performed by seniors. It was formed with the purpose of developing lifelong learning through theatre performance and education. Our vision is to enrich the lives of elders as artists, audiences, and lifelong learners through theatre performance and education.

Last Friday, along with three of my closest friends, I attended the opening night of RENT, presented by Theatre 55. I knew what we were in for having attending this company’s production of “Jesus Christ Superstar” last summer. Imagine the play’s setting, the lower East side of New York in the 1980’s, populated by actors all over the age of 55 . In 1980‘s New York, drug use was rampant and AIDS was decimating an entire generation of young people, disproportionately hitting the LGBTQ community.

For me, as an actor of a certain age who was living and working in New York City in the early 80’s, RENT has always packed a too-close-to home emotional punch. Would this production survive such wildly divergent casting? Would the oh so familiar score thrive with less polished, less experienced voices? Would good intentions be enough to realize the company’s vision of “enriching the lives of elders as artists”?

For the most part, the answer is yes if enthusiasm and commitment to the performance is the standard. RENT’S music, especially the recitative style of many of the numbers is challenging to the best of singers. Add a layer of the band overpowering the non-amplified voices in the small performing space and intimate moments can be lost, but not from lack of effort. The production is at its best in the quiet choral numbers where the collective voices blend in heavenly harmony. “Seasons of Love” is particularly lovely.

Each member of the cast of 20 is given moments to shine. Standouts were Jeff Goodson’s Mark Cohen, Rik Kutcher’s moving Tom Collins and Bebe Keith’s delightful Maureen Johnson. BeBe Keith has an absolutely luminescent onstage presence!

Theatre 55’s RENT plays Wednesday-Sunday of this week. This production deserves your support! Here’s to La Vie Boheme!

Where: The Guthrie Theatre in Minneapolis

When: Thursday, February 2, 2023
What: Blues for an Alabama Sky

Photo from The Star Tribune.

Set during the Harlem Renaissance of 1930, “Blues for an Alabama Sky” is a powerful character drama written by Atlanta-based playright Pearl Cleage and ably directed by Nicole A. Watson.

Due to an unfortunate set of choices, Angel, a back-up singer in the Cotton Club, must move in with her gay friend Guy, an aspiring costume designer who dreams of dressing Josephine Baker in Paris. Across the hall lives their friend Delia, an idealistic social worker who falls in love with Sam, a kind and overworked doctor. This quartet’s bonds are tested and ultimately broken by the introduction into their lives of Leland, a young man from Alabama who holds very different opinions and views from the others.

On one hand a period piece, on the other hand a very contemporary work, Blues for an Alabama Sky's themes are compelling and timeless. For me, the play asks us to consider: What is the shelf life of a dream? When do we let go of a dream, perhaps settle for something safer and mundane? No one struggles in a vacuum; our choices can have a trickling affect, resulting in unintended consequences for us and for those we love. This cast features five equally compelling actors creating characters we care about even when some of those characters behave badly. I mention the cast’s names in a singular parargraph, as an ensemble is what is truly needed to make this play soar, also because all five performances are richly deserving of accolades.

Kudos to Kimberly Marable as Angel Allen, Lamar Jefferson as Guy Jacobs, Brittany Bellizeare as Delia Patterson, Stephen Conrad Moore as Sam Thomas and to Kevis Willocks on as Leland Cunningham. (I’m not sure of the situation at Thursday's performance. Willocks was on for Darius Jordan Lee, but both showed up in costume for the bows. Odd ... an understudy making his debut?

At times comedic, at times tragic, “ Blues” is at all times provocative and entertaining. The Guthrie’s set, costume, lighting and sound designers once again skillfully work their magic. A special shout-out to those technicians in the shops who built the fine costumes and sets. Well done! Thanks for taking me to Harlem in 1930. I highly recommend seeing “Blues for an Alabama Sky”, playing now through March 12th on the Wurtele Thrust Stage. Thanks to my friend Jon Hayenga for the ticket and for being such great company on a bitterly cold Winter night!

This afternoon, I was immersed in the world of "Fiddler: A Miracle of Miracles", a PBS documentary. I found myself in tears while viewing it. This musical earmarked an important chapter in my performing career.

The section I was watching when I started writing this post was about Chava's marriage to Fyedka. One narrator posited that Chava didn't really understand she was walking through a door locked from the other side. This observation resonated on so many levels, I surrendered to it.

Each of my experiences with "A Fiddler On The Roof", in Houston in 1977 which was the second show I ever did for Theater Under The Stars and then in 1982, the national tour with Herschel Bernardi, left me with indelible memories.

With this show (and thanks to musical director/conductor Robert Linder) I had my first vocal solo in a professional musical. My confidence grew immeasurably with his belief in me. Fiddler offered me my first theater family - a cast that became so close the friendships endured for decades ... it introduced me to my best friend for decades in Dora Holtzman. Long after her death in 1997, I remain part of her real life family and that is so special to me. Many, if not most, of those beloved colleagues from 1977 are now deceased; yet, I still treasure the sense of belonging the Houston production provided me; the memories from 45 years ago remain fresh and cherished forever.

I joined the 1982 National Tour soon after it left Broadway. I've shared the set of circumstances that led to my replacement casting in previous posts; despite a different cast and changing locations, the tour of "Fiddler" was another step forward in an unplanned career.

In a unique turn of events, Herschel Bernardi became a believer in my talents; I learned much from Broadway veteran Paul Lipson (Lazar Wolfe) about an intensely personal matter and it was joyous working with Fyvush Finkel whose television career exploded after the tour when he was in his 70's.

Following this tour, I became brave enough to test the waters of living in New York City. But before I did, I experienced and cherish the memory of celebrating my 28th birthday with Fiddler mates on a beach in La Jolla, CA at midnight.

Thanks to Facebook, I remain in contact with several of the actors from both productions. Many of us are now retired or are contemplating it, but I still think of us as the fresh faces we were in our 20's. While I'm waxing nostalgic, I think it's time to put on the LP I purchased in 1971 of "A Fiddler on the Roof", listen to the glorious melodies once again and savor memories of important, exciting times with my colleagues from both productions. L'Chaim!

Last evening

thespian15 and I rendezvoused at The Guthrie Theatre to see the French fairy tale, “The Little Prince” by Antoine de Saint-Exupery, lovingly and brilliantly presented by a team of artists at the top of their game. This sweet play challenges one to emotionally and intellectually bridge the gaps between imagination and reality, to think with the heart, to feel intensely. To best explain the world in which audience members were encouraged to participate, here are a few of “The Little Prince’s" wisdoms:

“The most beautiful things in the world cannot be seen or touched, they are felt with the heart.”

“What matters most are the simple pleasures so abundant that we can all enjoy them...Happiness doesn’t lie in the objects we gather around us. To find it, all we need to do is open our eyes.”

“Men have no more time to understand anything. They buy ready-made things in the shops. But since there are no shops where you can buy friends, men no longer have any friends.”

“All grown-ups were once children... but only few of them remember it.”

“Of course I love you. It is my fault that you have not known it all the while.”

This bouyant production relies on its audience to embrace its unique magic, to relenquish the cynicism the world forces on us; to be swept up in its whimsical, sweet/sad, pure flights of fantasy. I’ve rarely seen a play where collaboration between designers, director and actors was so seamlessly successful. Its world is a delicate one requiring a light touch and sure hand. One false step by anyone involved and the fairy tale would have collapsed like a failed soufflé, flat, devoid of charm. Fortunately, The Guthrie's production was in confident hands and the airy concoction was superb! Kudos to everyone involved!

On a personal note, I really bought into the show’s message, let go of the stress of a really rotten week and came away with a heart that was filled with love for “The Little Prince”. Thanks, Jon!

A week ago Wednesday, I did a thing. I've never been one to spend money on shoes. My entire life I've done with 10 pairs of shoes or less at a time. After all, what does one need other than a pair of black dress shoes, a pair of brown dress shoes, one pair of tennis shoes, a pair of cowboy boots, a hiking boot and a pair of slippers?

Three years ago, I developed neuropathy in my feet. Despite two visits to neurologists and extensive testing, no one had been able to tell me what triggered it or if I could get rid of it. Onset was sudden. Medication was ruled out as a cause, as was diabetes. I do take the medication Gabapentin for mild peripheral neuropathy. For someone who loves to dance, having a comfortable hard-soled shoe is essential.

So Wednesday, I visited Shuler shoes for the first time. I met with a credentialed Pedorthist, Aida, to determine the correct size. Inserts did not make any shoe more comfortable. After a lifetime of wearing a 9D, then 10 Extra wide, I discovered the correct shoe size for me is an 11-11 1/2 medium! I purchased a pair of Florsheim black lace-up half boots, a pair of Florsheim brown loafers and a casual pair of Brown Merrill slip on shoes. I spent more money on shoes Wednesday than I've spent in several decades of shoe purchases and I'm happy.

The correct fit lessened the pain of the neuropathy immediately and that is wonderful. I've cleared the closet of all but two pairs of ill-fitting shoes and boots (8 pairs in total) and am donating them to a charity. I now have five pairs of shoes I can comfortably wear. Going forward, I will look at shoes as an investment in my health. Who knew the correct size in a quality shoe would help so much!

More About Shoes
Last week, I wrote about my experience in making sure I had shoes that fit properly, in hopes of lessening the effects of neuropathy (the above was written a week ago, but not posted here on LJ) … it’s been a week of much less discomfort. Yesterday, I went back to Shulers Shoes and purchased another pair of shoes; I donated 8 pairs of footwear that did not fit to charity at the store. (Goodbye cowboy boots.) In addition, to counter the neuropathy, I checked with my doctor and am adding Vitamin B+ and Magnesium supplements to my daily regimen.
Pictured below are the four pairs of shoes I’ve purchased in the last two weeks. Far left is a black Florsheim ankle boot, then a pair of bright blue New Balance walking shoes, a brown Merrell clog and finally on the right, a rich brown Florsheim loafer. With the four pairs of shoes I did keep, I now have 8 pairs of shoes, all wearable and comfortable!

In 1989-1990, I was cast in a production of MAME in Houston starring Juliet Prowse as Mame Dennis. I was fortunate to play Uncle Jeff in the plantation scene and understudied two of the character leads. I made enough of an impression to be one of the actors taken to Seattle for a separate production in that city. That production played Denver, too, before closing. The Seattle run led to friendships which endure today, solidified by a National Tour for 22 weeks, also starring Juliet Prowse. The national touring cast featured all of the leads from the previous two productions filled out by a combination of actors from Houston and Seattle. It was a wonderful experience due to the star.

Juliet was dazzing in the starring role, singing, acting and dancing Mame superbly. She was stunning in her Bob Mackie costumes. In person, she was modest and kind with a wicked, bawdy sense of humor. Prior to the start of rehearsals, she had memorized all of the cast members names, greeted us at the first break by name and treated us as chums.

Delphi Lawrence (Vera) and Juliet Prowse (Mame)

At one point, my parents and a group of church friends made a bus trip from Kingsport, TN to Atlanta to see our show. Though, suffering from severe arthritis pain on a two-show day, Juliet stayed in her beaded gown after the matinee, greeting my folks and their friends with real warmth, aways the class act.

I used to arrive early for shows and spend time visiting with Juliet in her dressing room while she performed her regular Yoga warm-up. She was the first celebrity who treated me with respect, as an equal, and I adored her. Juliet died in her early 60’s from ovarian cancer, a major loss to the theater community. Juliet was the real deal.

I took delivery of my 2023 Subaru Crosstrek yesterday morning, exactly three months to the day since I ordered it. I'm doing yet another 3-year lease, 12K miles per year. I've done a lot of vehicle leasing in my lifetime, always my preference. With the average monthly payment on purchased vehicles topping $700/month countrywide, leasing is the only way I can afford a new car. I am fine with leasing.

I highly recommend Morrie's Subaru in Brooklyn Park, MN. I worked with two different salesmen, one of the sales managers and even spoke with the dealership's general manager. Since the auto industry has been turned upside down during the pandemic, you can throw out any previous way of doing such business. Thanks respectively to Keith, Dennis, Tina and Jerry for helping me negotiate the murky waters.

restoman just posted that Micron is building a computer chip manufacturing facility in Syracuse, NY. There are incentives in play to bring the manufacturing of chips back to the US, so future disruptions can be minimized. Good news for Glenn as well as all Americans!

I am very happy with my new Crosstrek! BTW, The Subaru Crosstrek was much less expensive to insure than the Honda's I've previously leased.
 

Whether the reality matches my feelings, I've always felt like a man with one foot out the door when it comes to life. Over the 18 years I've been on Live Journal, most of you have seen me make change after change, struggling with any period of inertia, fighting the passage of time, railing at the universe, striving to bring the dreams in my drawer to light.

I've never been comfortable with routine; once routine sets in and if I've not identified new goals or dreams, I'm ready to take flight. Now that I've been in my current housing situation 3.5 years and don't have any urgent projects, I'm casting about looking for a fresh view, a big move. I'm ready to shake things up!

I don't necessarily look at my desire for change as a negative. Wanderlust is not always a bad thing. But, I feel compelled to be doing something productive every single day outside of my normal daily journey. From time to time I caution myself to be present in the moment, but I'm not very successful at doing that. I'm frequently looking into the future hoping to discover an exciting opportunity; but, I feel It's better than dwelling in the past. We can't change our personal history. I wonder if my theater peeps, of a certain age, spend more time on regret or creativity. I think being creative is a healthier proposition.

So, I resolve ... or is that re-resolve ... (I've made such promises before) to get my ass in gear, appreciate my current good health and mobility (after all, it's ten years since I nearly died, a free decade) and pursue a happier, more resonant and successful conclusion to my journey through life.

I hope my trip to Italy in November will be the kickoff to this new attitude! Meh, to one foot out the door!

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"Dreams in a Drawer"

“Go confidently in the direction of your dreams. Live the life you’ve imagined.”

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